Workspace and Environment: Eric Avery

Eric Avery has wrapped up his second solo album and is currently part of a music project with Brent Hinds of Mastodon, Ben Weinman of The Dillinger Escape Plan, and Jon Theodore.

Background
I was born here in LA. I arrived here by being born – it got messy. Ive made music since I was a lonely wee lad. I had lots of time not having alot of friends and not getting laid, a few good motivational sources there. What keeps me motivated is my desire to keep motivated. I make as many decisions as I can afford to based on what will keep me interested and keep the proverbial flame lit, and of course I’d like to continue getting laid.

What is your current favorite hardware
Favorite current piece of hardware is almost always the most recent piece of hardware, right? That would be Make Noise Phonogene module, right now. Actually captured a spam cell call in the Phonogene this morning and fucked around with it, love that little thing. I would have to probably describe my access virus c as THE piece of hardware I couldn’t live without. Since a friend gave it to me, yeah, I know; GAVE it to me, I found its the workhorse. It does everything great. I also love my Andromeda A6, Little Phatty, etc. Oh , fuck, did I forget my OP-1? Christ that thing is creative.

Favorite current software?
Soundtoys. Decapitator. Decapitator. Decapitator. Did I mention Soundtoys?

Workspace and Environment
I try to shut out the day as much as possible. Its the Las Vegas casino strategy: if you don’t know what time it is, you’ll just get lost in it. I find ergonomics generally feel more fascist than comfortable. Just as long as you don’t move, you feel perfectly comfortable? Not me. Not for very long anyway.
I don’t think municipalities can always really have much of an effect on your work. Not site specifically really but LA has because I grew up in a multigenerational film family. My grandfather was an LA transplant re-recording engineer, father was an actor. Academy members, involved in the business and art of film. I think that directly informs my work, always has and probably always will. To a greater degree than anything else. Regardless of the style of music I am ever currently interested in, I am always listening to things in a cinematic way. A sense of place or environment has always been more important than melody or other more musical concerns. Not always consciously but always just the same.

What is your ideal workspace?
Wherever I am really. When I get too concerned with anything being just right, I generally just get a bigger than usual dosage of the blank canvas syndrome. The blank canvas becomes a giant white wall. Ok, everything is just right…ready…set…go…make genius happen now. I hope that makes sense. Plus, if I lived in a big scruffy warehouse space on a beach with a great surf break, I might be too busy counting my blessings everyday to get anything done.

I adhere to the by-hook-or-by-crook strategy. Whatever gets it done. I always hear people talk about rules “all the best music just flows out easily” blah, blah. Not for me. Sometimes the music that just flows out FEELS great but when I listen back a few days later I just think, “oh no its happened, I am officially a douchebag”. Sometimes it’s my best work but sometimes my best work comes from hammering the shit out of some idea for years until its listenable or makes some sense one day. Some folks might have tidy creative rules that apply. Not me. look at the accompanying pic of my workspace. I’m a fucking mess.

2 Responses to “Workspace and Environment: Eric Avery”

  1. A. Campbell Payne February 5, 2012 at 2:12 am #

    Glad to see that copy of “The Rest Is Noise”.

    • yrevacire February 20, 2012 at 10:23 pm #

      i try to never stray too far away from a copy of that book.

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