So achieving that on Clark meant mostly using software?
Yeah, I learned Ableton on this album—I had used Logic before—and it completely changed how I worked. I really went into it, and like a month later, I thought, “Yes, this is the program.” It’s so good. My Logic arrangements were like 60 tracks and a timeline that goes on for an hour—like, “There’s a sketch there, this bit is a sort of counterpoint…” It was just a mess, but my Ableton song files are so streamlined. That’s when I started getting my confidence back.