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New Media Art and Sound Summit – Austin, TX. June 11-13, 2015.

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Saturday, June 13th will feature modular synth performances by Alessandro Cortini (LA), Richard Devine (Atlanta), Surachai (Chicago), Snowbeasts (Providence), Tyler Thompson (Denver), Dylan C (Austin), Baseck (LA). Our day of programming focused on modular synths will also include a Trash_Audio synth meet co-sponsored by I/O Music Technology and Switched On Austin, with the following synth manufacturers: Bleep Labs, Delptronics, Harvestman, LZX Industries, Make Noise,Noise Engineering, Super Synthesis, and WMD. More details about the performers will be added soon.

Church of the Friendly Ghost
2803 Manor Rd, Austin, Texas 78722

Tickets
Facebook Event Page

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Waveguiding

Waveguiding from Joseph Fraioli on Vimeo.

no computers or external hardware were used in this performance :)
patch basics:
kick: tiptop audio circadian rhythms (CR) channel 1, blue lantern asteroid BDv4 (CR is in 1×64 step mode)
snare: CR channel 2, cylonix cyclebox v2 with expo maths envelope into intellijel hex vca.
hi hat: CR channel 3. noise engineering basilicas iterus.
karplus strong style bass: make noise mysteron triggered by the intellijel metropolis which is synced the to the CR clock out. output is then multed into a vca channel and opened by the sound machines light plane then fed into the make noise erbe verb. the light plane has two recorded gates that open the vca to the erbe verb…
plucked melody: mutable instruments braids PLUK being sequenced by channel 4 of the CR and pitch sequenced by the tiptop z8000 through the intellijel uscale then processed through the tiptop z-dsp. modulation to braids parameters coming from the modcan quad lfo.
bass chords: sound source is the cyclonic shapeshifter in chord mode (5ths) and overdrive at 99 on the BiPuls waveform. this is then fed into the cwejman MMF-1 in low pass and manually adjusted throughout. additionally there is amplitude modulation by way of modcan quad LFO into a VCA. this sound is being sequenced by the divide output of the metropolis into two pressure points.
chord harmony: this is the intellijel rubicon through the serge resonant eq and modcan dual phaser and qu-bit RT60.
this sound is also being sequenced by the divide output of the metropolis into two pressure points. though this time a separate row to create the harmonies. amplitude modulation here is also coming form the modcan quad lfo into a vca.
end sub kick: CR channel 8 triggering the tiptop BD808.
end claps: CR channel 6 trigging the hex inverter mutant clap through the flame fx6.

Hypoxia – A Constant Preparation For Loss

Moe Espinosa (AKA Drumcell) has a new project called Hypoxia and its first release is musically beautiful and combined with a DIY ethos, its presentation is a piece of art. A Constant Preparation For Loss draws inspiration from 80’s films and “artists like John Carpenter, Wendy Carlos, Goblin, Vangelis and Tangerine Dream” that “steps away from the dance floor and into a broader space of contemplative drama”. Hypoxia’s A Constant Preparation For Loss uses a simple signal path: Buchla Music Easel > Eventide Space > Akai reel-to-reel.

“For me it was the first time in over a decade to take this task on my own.” From recording, to pressing vinyl, to silk screening, to shipping out records himself, Hypoxia is seeing it through to the end. The vinyl comes in five color variations, in a clear case was hand silk-screened.

“This is the 3rd release on BL_K NOISE, a small indy label created by Surachai and myself to release music that is not restrained by genre or expectations. An open format label to release whatever music we feel like whenever we want.”

Hypoxia – A Constant Preparation For Loss

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Hexinverter Mutant Machine

Baseck ripping it with Hexinverters new percussion module.

Borderlands Granular iPad App

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Good thing we’re not a news site because Borderlands for the iPad has been out for a couple years but the developer, Chris Carlson, has recently released version 2 – so thats kind of news? There are a lot of things to be said about the elegant interface, constant inspiration, and possibilities but I have work to do, so lets just say – it gets me away from my mouse and keyboard, produces beautiful results, especially if you load your own files, and is the perfect tool for the particular tasks I have been assigned. Unfortunately the iPad I’m using is not mine, so I’m recording as much as I can with the time I have.

Also, I’m too stupid and busy to think of a clever way to give away these promo codes for Borderlands so, uhhh… 7HTF794NFHEN, NLEPFXK96KHT. (Up high, down low…too slow)

Borderlands Granular

Tip Top Records

Tiptop Records presents Various Artists 001 – Official Teaser from Tiptop Film on Vimeo.

Tiptop Audio is proud to introduce a new project for 2015: Tiptop Audio Records.
In the recent years musical productions have seen a remarkable return to the use of hardware through analog synthesizers and digital control interfaces. This trend has proven so strong that it prompted a rebirth of modular synths in a new format (eurorack). Tiptop Audio has made a name producing sophisticated but easy to use modules, designed to form a complete system that is especially effective for dance-oriented productions and live sets.
Tiptop Audio Records selected for its first issue some of the most groundbreaking artists using such systems, to present a range of artists who, through their tracks, explore the landscape of dance music in a very fresh perspective. These are the artists who inspire the Tiptop team to make more innovative devices, which in turn make new music (a nice feedback loop).
ANGLE, BLAWAN, CHRISTIAN BURKHARDT JOAO CESER, JOHN TEJADA, JOSEPH FRAIOLI, MOE ESPINOSA (DRUMCELL), KINK, RICHARD DEVINE and SURGEON each contribute a track stamped with their own style and vision. Tracks range from Surgeon’s trademark hard minimal beat, to Kink’s gauzy dreamscape, while Richard Devine and Joseph Fraioli explore the outer reaches of beat based music. The Phase VI team (John Tejada and Moe Espinosa AKA Drumcell) produces an endlessly shifting set of percolating rhythms, Christian Burkhardt and Joao Ceser put some 21st century twists on classic dance floor patterns, ANGLE lay down effortless, sophisticated Continental style and Blawan adds some industrial toned menace.
The release will initially come as a double vinyl edition, with a cover painted by the artist Matteo Giampaglia, and a digital download version will follow.
An original video teaser will introduce the compilation, then other videoclips of the individual tracks will be realized by exciting new visual artists.

ALM005 – Dinky’s Taiko

ALM005 – Dinky's Taiko from ALM on Vimeo.

‘Dinky’s Taiko’ is a 12 bit digital drum voice with full voltage control and an analog EQ output path.

Baseck – Mutant Machine – Hex Inverter / Pressure Points – Make Noise // Punk Rock Modular

Circadian Rhythms By Joseph Fraioli

Circadian Rhythms from Joseph Fraioli on Vimeo.

a patch focused around the tiptop audio circadian rhythms (CR) as the heart of the system that provides the main clock source and triggers for events.
the programming was done on all 8 channels of the CR in 2×32 mode. fills are set to 16th note. mutes, fills and additional programming are performed on the fly.
patch basics:
CR ch 1: main kick
sound source is the blue lantern BDv4 going through the modcan frequency shifter.
CR ch 2: snare
sound source is the make noise mysteryon who’s pitch is being modulated by the mod can quad lfo who’s synced to the CR main clock output. the output was split into a separate VCA who’s being opened by the sound machines light plane and sent to the mungo d0 with macro machines storage strip. the storage strip is being sequenced by the CR main clock output.
CR ch 3: closed hat
sound source here is the SSF quantum rainbow blue noise.
CR ch 4: open hat
sound source is the SSF quantum rainbow white noise though the intellijel µfold and then a bit of delay from the synth tech e580.
CR ch 5: glass percussion as well as delayed bass and end melodic thing
glass percussion sound source is the noise engineering BI. pitch modulation from the tiptop z8000. delayed bass is an intellijel dixie square run through the cwejman res-4 and.end melodic thing is the harvestman piston honda MKII.
CR ch 6: chord bursts
this is the intellijel/cylonix shapeshifter in sequence mode then run thorough the qu-bit electronic RT60 reverb.
CR ch 7: tonal accents
sound source is braids in meta mode. also being sequenced by the CR and pith modulated by the tiptop z8000.
CR ch 8: sub kick
sound source is the tiptop audio BD808.
acidy bass: trigger source for the acidy bass is the intellijel metropolis that is synced to the CR via the clock output. sound source is the intellijel rubicon thats being FMed by a DIXIE sine, then put through the cwejman MMF1 in low pass.
tonal drones: trigger source here is the divided output of the intellijel metropolis into two make noise pressure points that have been micro tonally tuned. the sound sources here are synth tech e350 and make noise DPO that share a common mutable instruments peaks ADSR. the sounds are then processed through the serge resonant equalizer and tiptop audio zdsp with halls of valhalla reverb card.
hi plucked melody in mid section: this is the qu bit nebulae playing back a sample of mutable instruments braids in PLUK mode playing a melody sequenced on metropolis then fed to the mungo d0. the nebulae is then processed through flame FX6 reverb.
no computers or external hardware were used in this performance :)

Synth Meet. March 1st. Hideout in Chicago.

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March 1st, 2015
12-4PM.
The Hideout.
1354 West Wabansia
Chicago, IL

FREE. Shake off the frost and bring your systems.

Facebook Event Page

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