200 copies on blue vinyl.
Deluxe gatefold printed on heavy duty stock with matte finish. Expanded package view
Alessandro Cortini’s second release in his Forse trilogy is full of thick analog brightness and deep analog warmpth. Despite also being fully composed on a Buchla Music Easel, the feeling of Forse 2 is quite different from Forse 1 and this deluxe double vinyl release is the ultimate way to experience this engaging work.
Alessandro Cortini (Nine Inch Nails, How To Destroy Angels) recorded Forse using a Buchla Music Easel; of which only 13 are known to exist. Forse, meaning “maybe” In Itilian, is a series of 3 double LP releases.
“All pieces were written and performed live on a Buchla Music Easel, in the span of one month. I found that the limited array of modules that the instrument offers sparked my creativity.
Most pieces consist of a repeating chord progression, where the real change happens at a spectral/dynamic level, as opposed to the harmonic/chordal one. I believe that the former are just as effective as the latter, in the sense that the sonic presentation (distortion , filtering, wave shaping, etc) are just as expressive as a chord change or chord type, and often reinforce said chord progressions.
Of all the years with Nine Inch Nails the period spent writing and recording the instrumental record Ghosts I-IV is probably the one which changed my approach to music making the most. After that record I started getting more into instrumental composition, although I tried to approach it in a different way. While we had a vast array of tools and instruments at our disposal then, I decided to approach my pieces limiting myself to one instrument only, as I found myself being more decisive when faced with a limited creative environment. ”
Heartfelt thanks goes out to Jessica Tomasin of Mountain Oasis festival and Kelly Kelbel of Make Noise for helping facilitate this past weekend. Without these two wonderful women, this would not have been possible.
Carl Oliver’s Set
Timelapse of Synth Meet 13
Follow the updates on the link below…
Richard Devine is one of the sound design superstars of the current age. His experimental music uses the both the cutting edge of modular technology (Intelijel, MakeNoise, AudioDamage,TipTop Audio, 4ms and others) as well as a vast array of plug-ins and software instruments. Indeed, he is an official Native Instruments artist with a penchant for Reaktor and Absynth.
He records and releases for Miami based Schematic Records with many of his recent works exploring algorithmic and modular generative music. In addition his sounds can be found in many current instruments, both hardware and software.
Recently he has released sound packs for AAS Chromaphone and the just released Ultra Analogue, presets for Eventide’s Black Hole spatial processor, AirMusicTech’s additive synth Loom and many others.
Some would consider his the dream job. He has kindly agreed to blog for us during a typical day in the studio – enjoy…
Mike Brown of Livewire Electronics was one of the first people I met in the modular community when I started some 8 years ago. The Chaos Computer was more of a myth than an actual module in the 5 or so years it took to develop. It would show up in various incarnations, growing in features and then disappear for years. Then Mike died.
When Steve Rightnour of Monorocket handed me the Chaos Computer this weekend, I was equal parts thrilled and saddened. Thrilled because of the obvious reasons of obtaining a module that you’ve heard, tested, and lusted after for several years but saddened because its another Livewire Electronics design that became realized, finalized and put into the “done” category in Mike’s legacy. This thing is in for a world of hurt, just as Mike would’ve wanted it to be.
Modular Wild made a few videos showcasing the random voltages, and audio rate clocking features of the Chaos Computer.
Went, conquered, had an amazing time! Quick gear porn video.
Critters, synths, Nails.
My corner (and @treznor ‘s piano) from the Troubadour show. #nin2013 #prophet12 #tascam #nagra #elektron #soundplane #op1
Art Direction : @rob_sheridan
Facebook event page started: HERE!!
Hey. This is next week.
Alessandro Cortini added to the live performance lineup and Justin Mcgrath will be teching for him – this means the entire TRASH_AUDIO crew will be in attendance! How To Destroy Angels canceled their show at Mountain Oasis Festival and is giving us their leftovers.
Official announcement on Mountain Oasis’ site
Mountain Oasis is proud to partner with TRASH_AUDIO to bring you Synth Event 13 Sunday, October 27 live at The Apothecary from 1:00-7:00PM. TRASH_AUDIO is an audio artist collective comprised of four accomplished musicians and highly regarded sound designers- Alessandro Cortini (Nine Inch Nails, How To Destroy Angels), Justin McGrath (Nine Inch Nails, former Senior Sound Designer for Motorola Mobility), Richard Devine (Recording Artist, Sound Designer), Surachai (Sound Designer, Location Sound Engineer, Recording Artist).
Synth Event 13 will feature manufacturer demonstrations and hands on opportunities to interact with the products and people responsible for making them a reality. These demonstrations will be followed immediately by live performances curated by Richard Devine to close the evening. Come by and experience these incredible creations live thanks to TRASH_AUDIO.
Full details on participating manufacturers and live performances can be found below. TRASH_AUDIO Synth Event 13 will be open to the public, including all Mountain Oasis pass and ticket holders, free of charge.
39 S Market St #B
Asheville, NC 28801
TRASH_AUDIO is confirmed for the Apothecary in Asheville, NC for October 27th! We’re working with Mountain Oasis Festival to make sure we get publicity and an audience. We’re currently reserving spots for manufacturers so if your company has not been contacted and you are interested, please e-mail firstname.lastname@example.org and we’ll work it out.
Following the template of the last few T_A events, Synth Even 13 will feature manufacturers for the first part of the day and performances curated by Richard Devine to close the evening.
Keith McMillen Instruments
Malekko Heavy Industry Corporation
Steady State Fate