All of our releases are now available all at one place, FiXT, which is great because our catalog of releases on shade:red was scattered all over the internet.
Polyfuse – No One Will Come Save Us
Polyfuse’s ‘No One Will Come To Save Us’ was an experiment in analog electronic sound. All normal creative practices were thrown out in place of something more immediate. The whole collection was completed with the most minimum setup possible* and captured in such a way that it could not be altered after the original performance. Take it, turn it up, set it free.
*x0xb0x, TR-808, Moog Prodigy, Grundig G5 (A shortwave radio), Line6 DL-4 pedal, TubeWorks RT-901 overdrive pedal, Alesis Ineko and a TC Electronics M300 all plugged into a small 10 channel mixer.
Justin McGrath – The Night That Laid Still
The Night That Laid Still’ is the third and final solo release from Justin McGrath, who has now moved on to other projects such as Polyfuse. This EP of atmospheric ambient sound is reminiscent of NIN’s quieter moments, with acoustic elements created by piano and strings meandering throughout. Purchases of the full EP include an 8 track bonus EP of remixes, ‘Reconstructions’.
Free Polyfuse Tracks and Albums:
One Quiet Moment (Single) (39.2 MB)
20 minutes of dark analog ambient music
The Persistent | The Unobtainable (Album) (91.8 MB)
An experimental album that was never completely finished, now yours for the taking
Incendiary Device (Single) (9.2 MB)
A free single from the upcoming album ‘The Speed Of Forever’
The Deep Element – Lapses
Surachai’s second release as IDM/Ambient/Post Rock project The Deep Element. Includes a cover of Clint Mansell’s “Stay With Me”.
The Deep Element – Currents
Before Surachai embarked on an exploration of brutal grindcore noise with his self titled project Surachai, the multi-talented musician experimented with glitchy, warm downtempo and IDM as The Deep Element. This debut album features covers of Karmakanik, jonbro, and Björk. Artwork by Sarah Lynn Wielusz.
Surachai – Decrepit
After two EPs of absolutely brutal analog noise-infused grindcore, Surachai’s fourth release returns to the purely experimental analog glitch soundscapes of his first album. Six tracks with corresponding artwork by Bridget Driessen follow the cycles and stages of a plagued memory.
Surachai – Designed Deficiency
Surachai’s third release continues to explore the grindcore-analog noise mix that appeared on the preceding EP, a genre the artist calls Plague Metal. Bridget Driessen also returns to contribute beautiful artwork once more.
Surachai – Programmed Cell Death
On his second release, Surachai takes the glitchy analog noise experimentation of his first album and wraps it around some truly traumatizing grindcore metal. Artwork by Bridget Driessen.
Surachai – Form
Surachai, who has previously created warm, downtempo IDM as The Deep Element and as one half of [Co]sen-tasi, throws listeners for a loop and runs in the opposite direction with his new self-titled solo project, Surachai. This first album contains fourteen tracks, each an experimental exploration into harsh, overdriven analog noise that altogether form a continuous 21-minute piece.
[co]sen_tasi – Cycled Seances
A followup EP to 2007’s Clarity in Japanese, Cycled Seances continues the IDM/downtempo/jazz fusion collaboration of analog noisemaker Surachai and jazz musician Jonathan Paul Robles.
[co]sen_tasi – Clarity in Japanese
Surachai, known for his downtempo/IDM project The Deep Element and his eponymous grindcore/analog noise counterpoint project, has also collaborated with jazz musician Jonathan Paul Robles to create [co]sen_tasi, a downtempo/IDM sound with elements of analog glitch and jazz fusion. This is their first album.
James Cigler of the felix inferious blog is back with a new video featuring Make Noise’s Wogglebug. I used to watch James’s videos back when there was very little written and audio information on modules. Finding video a couple years ago, especially an informative demonstration, was nearly impossible. Someone needs to pay him to make these videos because they certainly shape the way people buy modules.
Because most of you aren’t members of the Muffwiggler forum, I’m acting as a middle man most of time with these posts. Here is another such example. Tip Top Audio has announced their Z-Burn device that will work between a Z-DSP module and your computer with a usb cable. This is the first instance of open architecture for modules and I can’t wait to see what people start programming. No date or price yet but it’s time to get excited.
In Gur’s words: “It is a table top device with a USB connector and it comes with a Mac software (and yes, we will make PC version too…. ) that reads programs and allow you to burn your own cartridges and develop programs if you wish to. We plan to have a page on the TTA site that will hold programs for free download. This is btw. why we do not release the reverb cartridge as you will have some nice reverbs for free download there.
There are already few customers who got a Programmer directly from us and are writing some programs, I hope they will contribute to the free library we want to develop on the site.”
One thing I am pretty into, but haven’t brought up here yet is Shortwave and Pirate radio. The shoe company Palladium has released a very nice documentary that covers some of the pirate radio activities going on in London. If you’re interested in getting into this stuff, I would recommend picking up a worldband radio. Grundig makes decent inexpensive radios. I personally use the Grundig G5 with a fold out Sony portable antenna that suction-cups onto a window and then the M-Audio MicrotrackII is always set to record the line out on the Grundig. With this setup I’ve generated about 10GB of sounds and odd broadcasts. Lots of fun stuff to be heard. If you don’t know anything about Shortwave radio, wikipedia is the best place to start.
Because of the recent collaborations and contributions I’ve been a part of recently, I feel that this article is fitting to my current situation. I’ve avoided collaborations, aside from a couple exceptions, up until last year because I simply didn’t know how they were ‘supposed’ to go down. I find out that I’ve been on the right track all along and agree with his statement, “more and more as time goes by, and they (collaborations) are always slightly different from one another, there are more similarities than differences”. The pictures in this article are of one of his workspaces.
David Byrne breaks down how he worked with Brian Eno, how he and friends hate dealing with lyrics and how he’d work on a collaboration for a bag of Doritos. While you don’t have to agree with everything he says, if you plan on participating in a project that involves with other people, he writes of some great techniques, methods and attitudes that you can apply. For me, this is essential information on conducting remote collaborations.
“The unwritten game rules in these remote collaborations seem to be to leave the other person’s stuff alone as much as you can. Work with what you’re given; don’t try to imagine it as something other than what it is.”
“One big reason is to restrict one’s own freedom in the writing process. There’s a joy and relief in being limited, restrained. For starters, to let someone else make half the decisions, or some big part of them, absolves one of the need to explore endless musical possibilities.”
As far as I’m aware there are only two choices to interface your DAW to your modular synth: MOTU’s Volta and Expert Sleeper’s Silent Way. My current problem with both of these options is that they require an audio interface with DC coupled outs. The list of these interfaces are limited as can be seen here: Here
If I were going to get in the game at this point I’d be limited to only my headphone outputs as a means of communication between modular and computer which… is rather limited. Thankfully Expert Sleepers found a way to make any interface with balanced outputs have access to this modular computer communication. Originally they suggested you make cables yourself that encoded AC cables with DC properties while they provided the software to integrate it with the rest of Silent Way. But it seems like someone on their team took the initiative to make a breakout box so you could bypass making your own cables.
Now it seems that someone just needs to build so I can buy them because I’m sure as hell too retarded to put this together myself.
After downloading a couple of their small banks, I don’t see why these shouldn’t be in everyone’s hard drives. Watch out for the random fake titties on the abstract percussion kit – If you’re browsing at work that is.
The site will be giving away samples, kits, and instruments for free each month (in theory), and we’ve just gotten everything relatively dialed in and the first 3 releases are posted in the ‘catalogue’ section of the site. Or you can use the links below: